I really need a new coat,
I thought,
for New Year’s Eve.
Then I realized,
not for the first time,
I’ve never truly needed
anything
I didn’t already have.
I really need a new coat,
I thought,
for New Year’s Eve.
Then I realized,
not for the first time,
I’ve never truly needed
anything
I didn’t already have.
Curtains drawn wide, a scene unfolds,
Through a portal of rain-glazed glass.
Near-barren oak and ash
Stand in silent vigil.
A few brave leaves resist
Within their bastion of boughs.
Glowing in their autumnal gold,
Steadfast against the wind’s howling siege,
They hold their arboreal high ground
With fierce resolve,
Channeling Chamberlain’s desperate defense
Of the far left Federal flank.
Awaiting the final order, tense and poised,
For a noble, resolute descent,
A countercharge from their lofty perch,
Down the slopes,
In a gallant sweep,
To the embracing arms of the earth below.
In my closet,
one suit and a couple of sport coats
hang like understudies
who haven’t been needed in a while.
Most of the year they wait quietly
while I live in jeans and work shirts,
but when December shows up
with its cold air and early darkness,
they finally get their cue.
The city does its thing—
lights in café windows,
bars humming late,
some version of holiday jazz
floating through the streets.
Everything starts to look
a little softer, a little staged,
like it’s trying on a 1940s movie accent.
So I put on a jacket. Not because I’m going anywhere special, but because once you start romanticizing the season, you might as well commit. After all, you'd never see Jimmy Stewart slumming around town in sweatpants and a hoodie— not even when his life is falling apart on Christmas Eve.
Happy Holidays, friends. Whatever you may celebrate, I hope your days are filled with joy… or at least contentment.
– Nick
A candle just extinguished fills the room
With scents of birthday celebrations past,
Stirring echoes of children’s laughter, long ago,
The sweetness of cake, the joy of gifts unveiled,
Casting a stark contrast
To the lone figure of an old man,
Solitary in the quiet of his empty house,
Who gently silences the friendly flame
And retreats into the dark solitude
of another lonely night.
It has been said,
That to view reality through a Buddha’s gaze,
One might find a well of pessimism,
Yet, to paint this panorama
With trim shades of optimism or its absence,
Is to miss the true texture of reality’s fabric –
Unstitched by human emotions,
It exists, simply as it is.
The coffee shop I’m writing from today
Is my favorite kind of place.
Stained oak tables and battered counters, arabica brown,
Employee-owned, comfortably crowded,
Angsty barista sporting a shiny nose ring,
And snappy smile under chai-mocha eyes.
Hand-sprawled menu, simple drink descriptions
In dusty blue sidewalk chalk,
Cup capacities plainly listed in the language of the locals,
No need for hasty Italian translations,
Sonos speakers pouring a perfectly brewed soundscape
Somehow seamless from Dylan to Pavement,
Mazzy Star to Miles Davis,
Melodies landing lightly
Amongst the scattered conversation
Of eclectically caffeinated customers.
Winter rain etching erratic paths down window panes,
Blurring the world into a watercolor dream,
Painted with a palette of grays,
Slow, rhythmic tap-tapping on the rooftop,
Drumming a steady soundtrack of solitude on cold tin,
Not the up-tempo swing of a welcome summer shower,
Nor the hushed All Blues brushing stillness of winter snowfall –
But that in-between chill,
Too brisk for comfort under the open sky,
Not quite cold enough for the hearth's hot glow,
A damp, dark slate-tinged groove calling you
Back to the bed's blanketed embrace.
Sometimes, a trivial fact bayonets into your mind
And resides there for a lifetime,
Even though its utility seems nonexistent.
Like knowing the name of Bob Lee’s horse.
General Robert E. Lee,
Confederate commander,
A man entwined in complexities:
West Point graduate, proud American,
Son of a Revolutionary War hero,
Yet leading an army against that same nation,
Choosing his native Virginia over union.
He rode into battle atop a 16-hand gray Saddlebred,
A horse as grand as his reputation,
Named aptly, Traveller.
This steed, tall and majestic,
Lent stature to Lee,
A man of ordinary height,
With proportionately short legs,
Making him seem a towering figure upon his mount.
I can’t pinpoint when this detail,
The name of Lee’s horse,
Galvanized in my memory,
Nor why my brain hoards it so close to the surface,
While more practical knowledge
Fades into the subconscious depths.
Perhaps, one day, I’ll stand as a contestant on Jeopardy
Ready to press the buzzer and confidently say,
“I’ll take ‘Confederate War Horses’ for $1,000,”
My eagerness clear, my voice full of assurance.
And the host, with a knowing nod,
Will await my response,
Already certain of its correctness.
Most endings slip past unnoticed.
The last swim in the ocean,
the final bike ride home.
One day, you lift your child
without knowing it’s the last time,
their smallness slipping from your arms
before you realize it’s gone.
A final bedtime story,
a last school drop-off,
a closing conversation with a friend—
all ordinary until they aren’t.
We mark the big endings,
but life is a quiet unraveling,
a series of goodbyes we never think to say
until we’re looking back,
wishing we had paid closer attention.
True transformation rarely stems
from words alone.
A sermon means nothing
from an untouched hand,
a lesson fades when not lived.
To inspire change in others,
we must first let it settle
into our bones.
Actions whisper truths
that words could never scream.
Compelled by my usual procrastination,
and needing a jacket and tie for a Saturday wedding,
I wandered into a mall—
a relic, still hanging on in the Amazon era.
Heading toward Macy’s, that familiar anchor,
its bright red star against the dark,
I was struck by how easily
it passed for a communist emblem.
My mind drifted.
I imagined the door guards
as soldiers from the People’s Liberation Army.
Che Guevara, wispy beard and black beret intact,
manned the perfume counter.
Erich Mielke watched shoppers
through the unblinking eyes of security cameras.
Lenin stood at customer service,
accepting returns.
Mao Zedong stocked shelves, methodical as ever.
Trotsky advised men on suits,
not revolutions.
The spell broke as I stepped inside
the Temple of Late Stage Capitalism,
greeted by smiling employees
and shoppers slowed
by Thursday’s feast,
drawn by victory sales
and giant inflatables.
Dreams lacking action leave nothing to show,
Time carefully marked till the moment feels right,
Plot for too long and you never will go.
Talk of adventure, in whispers kept low,
Not daring today to step into the fight,
Dreams lacking action leave nothing to show.
Knowledge left idle, allowed just to flow,
Endless planning delays any flight,
Plot for too long and you never will go.
Brave souls stalled inside familiar comfort move slow,
Excuses built tall, chance slipping from sight,
Dreams lacking action leave nothing to show.
Falter and wait as opportunities blow,
Visions once sharp now fade into night,
Plot for too long and you never will go.
As the day closes its last soft glow,
The sun and the earth circling toward night,
Dreams lacking action leave nothing to show,
Plot for too long and you never will go.
Helios’ chariot scatters stardust,
From Phaethon’s fateful ride,
As Zeus’ bolt sends splinters,
Over the cold December sky.
Fragments burn like torches,
Blaze trails across the sphere,
As Earth twirls blindly through,
Her final stardance of the year.
Sometimes, while staring at a blank page,
the mind wanders,
stretching to absurd lengths
to dodge the task at hand.
Asinine thoughts swirl—
out of place in a coffee shop
at 7 a.m. on a Tuesday,
and probably just as much anywhere else,
at any other time,
on any other day.
Should I reignite my old cigarette habit?
Would a third espresso unleash creativity?
Is a hermit’s beard and mountain seclusion the key?
“Stop it,” I tell myself,
forcefully,
aloud,
likely sounding insane
to anyone within earshot.
There might be merit
in one of those musings—
just not now.
Now the instruction is to
Just
Write.
To splatter mind matter on the blank page
and see if, amid the mess,
something worth keeping
shows up.
It’s become common to see
lawyers on TV flashing phone numbers,
the same digit repeated,
rows of fours, strings of sevens,
easy to remember
when you’re standing in a police station
or pacing a hospital hallway.
Not so long ago
we carried dozens of numbers in our heads,
dialed them cleanly
on rotary phones.
Now the phones remember for us.
Still, I know the number
of the house I grew up in,
though I couldn’t tell you
who lives there now,
and my grandfather’s landline too,
our last conversation
long over.
Sometimes it strikes me as funny
that the numbers I still carry
belong only to ghosts
or lawyers.
People I want to call
but can’t,
and others
I hope I never need.
When you choose the big community table
at the coffee shop—
the tall one with long-legged chairs
and enough outlets to power
a small battalion of laptops—
you’re quietly saying,
It’s okay, stranger, you can talk to me,
if you need to.
But if you’re at that same table,
headphones snug over both ears,
laptop open like a small barricade,
the message is different:
I’m here to work.
Or write.
Or read.
Not looking for casual chit-chat.
But still—
I’d rather not be
completely alone.
Starlight dances softly upon rooftops,
Gliding through barren branches
To play on fallen leaves,
Reminding us gently
Of our own star’s
Promised return.
Pencil poised over clean paper,
ready for orders.
It waits.
The command never comes.
Somewhere behind the eyes,
a small mutiny breaks out—
nothing dramatic,
just everyone deciding
to sit down at once.
What used to be a war room
is suddenly quiet.
Maps still on the table.
Coffee going cold.
At ease, Number Two.
We’ll regroup,
and like the French and the Indians,
mount our attack at dawn.
Mild winter has left the backyard
in a kind of limbo.
Too much shade,
last fall’s rain still pooled
in the cracks of the stone patio.
Without enough sun to argue back,
the moss moves in,
slow and confident,
turning the stones a patient green
that feels permanent.
I make a note: late spring.
When the pressure washer comes out
and does what it does best—
a loud, indiscriminate erasing,
as if nothing ever lived there at all.
The secret
to swatting houseflies
is patience.
Don’t rush about,
swatter in hand,
like a frantic midfielder chasing a football
passed just out of reach—
again and again,
always a moment too late.
Instead, sit like a sniper,
devoted to the science of stillness.
The weapon nearby,
not the focus,
just a quiet companion.
Let the winged annoyances come to you.
Then strike—
quickly—
before they slip away
into the ether of your kitchen.
Coincidentally,
this is also how you catch poems.
